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Note:  First of all we are not yet a 501c3 designated not-for-profit.  We will be.  Until we are you cannot deduct the value of your contributions to us from your income taxes.  Sorry.  If this deduction is important to you and you would like to make a contribution please contact me and we’ll talk.  (info@bluestonefolkschool.org)

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Sassafras Shop - New Door Constructed

Blue Stone folk School is beginning its fourth year in January (Can you believe it?).  We’ve a lot to be proud.  We’ve mounted dozens of concerts bringing musicians from as far away as Texas, Kansas and Florida and audience members from across the state.  If you’ve attended Noblesville Main Street or Hamilton County Historical Society events you’ve probably heard our music.

Our Sunday afternoon jams draw up to 40 folks to play and talk and sing on the big front porch at Noblesville’s Victorian House.

We’ve offered classes in letterpress, papermaking, collecting oral histories, bookbinding, printmaking, carving, ukulele playing and building, decorative painting and canoeing.  Students have come from California, Utah, Texas and Hawaii.

To teach these classes we’ve accumulated printing equipment, specialized tools and materials.  We have a large library of hard-to-find books and large collection of early sheet music.

Our programs have drawn the attention of the Folklore Departments at I.U. and Indiana State.  We

A Large Flor Loom - A Recent Gift from Conner Prairie

work closely with Traditional Arts Indiana.  We’ve been covered and mentioned by NUVO, the Indianapolis Star, Noblesville Magazine and local newspapers.

We’ve been very careful to grow slowly.  We we want to be self sufficient.  We, as individuals, don’t like to ask for money.  We survive on tuition, a few donations and some personal fund raising efforts by active members (Like 50 Little Birds).

Our dream has been to develop a program where folks come to Noblesville and, for little money, spend a weekend or week with us.  We want to provide intensive retreat opportunuties to become immersed in the community and to share and develop tradition skills.  We envisioned a farm or series of under utilized spaces within old Noblesville to provide these experiences.

We came a step closer early this fall when Rick Vincent, Noblesville businessman and owner of the Victorian House offered us the cellar of the house rent free.  This provided a great opportunity for all parties involved.  Our rooms were freed up and Rick was able to rent two entire floors of the house to a great tenant.  We will improve his property by developing space that has never been developed and we get to build a piece of our dream.

In this new facility the Folk School will have a small shop where visitors can purchase tools and materials for the classes that they are taking.  The shop will also offer Folk School hats, buttons and shirts.  Local craftsfolks will also have an opportunity to offer pieces for sale.

Hard Working Volunteers - Painting Gallery Walls

From the shop visitors will step into a small gallery with over 600 square feet of hanging space and 150 square feet of display space.  We plan to hold shows 3-4 times each year feature local craftspeople.

From the gallery visitor will pass through a small library where they will be able to study books and magazines from the Folk School collection.  The centerpiece of this room will be a working 19th century floor loom.

Last will be a large studio.  Configuration is still in the planning stages, but this room will contain printing and printmaking equipment, instructional area and loads of table and storage space.  A small kitchenette will be adjacent to this space.

The plan is to build as we go.  We are well into the first phase of the project and plan to have most of it completed for an opening on Friday, February 26.  This phase includes completing the entranceway, the Sassafras Shop and the gallery.  Other areas will be open for viewing.

How can you help?  I’m so glad that you asked.

Much of our financing has come from the 50 Little birds for Blue Stone Folk School project.  Visit the site and purchase a bird.  You will be making a donation to the Folk School and will receive a nice piece of artwork in exchange.

Many folks are stepping up and paying for specific part of projects.  Chris Davis and Anne Whiteman, of Carmel, stopped by last weekend and donated a brand new Shopvac.  They thought it might come in handy.  It already has.  I’ve listed below some items that we need.  This will give you an opportunity to know exactly what you’ve sponsored and where the money is going.  These costs, in most cases, are for materials only.  Volunteers provide the labor.

  • Entrance Door – $150
  • Exterior Light – $200
  • Exterior Signage – $200
  • Entrance Electrical – $50
  • Sassafras Shop Paint – $100
  • Sassafras Shop Shelving – $75 each (4-5 needed)
  • Sassafras Shop Door – $85
  • Sassafras Shop Electrical – $150
  • Gallery Paint – $100
  • Drywall for Gallery – $50 (Paid – Thanks Rudy Family)
  • Gallery Electrical – $200
  • Library Doors – $200
  • Hand Rails – $75
  • Exit Signs – $150
  • Bulletin Board – $25
  • Shopvac – $82 (Purchased – Thanks Chris Davis and Anne Whiteman)

Sassafras Shop - Showing Its Color

If you have construction materials around the house you can donate them.  We are in need of wire (3-12 or heavier), paint, construction lumber, Masonite, foam board, etc.

If you can help out send a check to: Blue Stone Folk School, 1095 Conner Street, Noblesville, IN 46060 or use Paypal to pay with a credit card.  Send your Paypal donations to info@bluestonefolkschool.org.

When we have Phase 1 completed in February we will be able to provide a level of service that will benefit our community.  We appreciate whatever you can do to make Noblesville a better and stronger community.

Geoff

Geoff Davis, Director, Blue Stone Folk School

‘nuf Sed

Click on photos and compare.  The “before” picture is really quite far into the project.  The room is clean and the new door is installed.

Tom Park, Noblesville, paints the gallery walls.

Most folks are aware of our sudden and unexpected move from our two comfortable studio rooms in Nobleville’s Victorian House to it’s huge unimproved basement.  The move involved a whirlwind of activity to get the basement shoveled out (4 truck loads of junk) and our supplies and equipment moved down two long flights of stairs.

From the beginning we’ved hoped that the move would serve as a way to involve volunteers and give them direct ownership of the School.  Work days have involved as many as 20 folks and as few as 4 (It often depends on who and when the Colts are playing).  The work always get finished and we really have a great time.

Tim Moran, Indianapolis, seals concrete in preparation for painting.

There is no way that I will remember everyone that has come and worked.  I should, and am going to make an effort to document these days here.

Yesterday our focus was on the gallery walls.  The brick was cleaned and sealed over the last two work days and the focus was now on painting and preparation for hanging drywall.

Eliiot Shide, Indianapolis, managed trash, helped to cut furring strips and painted.

Tim Moran, Indianapolis, sealed concrete, painted and hauled drywall.

Tom Park, Noblesville, painted

Emily Vance, Indianapolis, cut furring strips, painted (I think) and carried many, many glass shelves to storage.

Chris Davis and Anne Whiteman, Carmel, donated a vacuum.  Chris stopped by to offer moral support and friendly supervision.

Joe Rudy, Noblesville, stopped by with a donated truckload of furring strips and drywall.

Tom Park, Noblesville, and Elliott Shide, Indianapolis, paint the gallery walls.

I hauled drywall, painted and answered a lot of questions.

Karen and Briton Park also stopped by to check progress. (We consider this an important job)

Thanks to all these folks for a great work day!  We have tentatively scheduled another work day for December 20.  Watch your emails for confirmation.  The first two weeks of January I will be working at the School almost daily.  Let me know when you can stop by and help out…or just see what we’ve done.

We’re aiming to open the shop and gallery in Februrary.

House Wrens Under Glass - In Progress

In a recent post I introduced “Two House Wrens (Under Glass)”.  It’s still a work in progress that will be finished tonight in readiness for tomorrow’s show.

I’ve been a bit worried about selling a large and fragile piece.  I can just hear folks deciding not to buy, because that cannot figure out how to get it home.  I have to admit that it’s been a bit frightful transporting to and from the studio.  I wasn’t even sure how I would get it to the show.

Last night I knocked together a funky and handy carrying crate.  Should this piece sell on Etsy it will double as a safe shipping crate.

It’s built of scrap plywood and a bit of (prime, I’m afraid) white pine strips.  All wood is recycled or scrap.  i used a bit of coathanger for a clasp and handle.  It’ll do the trick

Look for this piece on Etsy Saturday afternoon, if it doesn’t sell tomorrow.

Currently I’m…

teaching elementary school, preparing for an art show, running the Folk School, finishing the Folk School’s new space, making Christmas presents, Christmas shopping, filling a few bird orders, etc.

but…

Yesterday a package came from Amazon with Deborah Chandler’s Learning to Weave.  The Folk School took delivery of an old counter balance loom a couple of weeks ago and I thought that I should have some idea about how to use the beast.  NOW I WANT TO WARP IT AND GET WEAVING.  TONIGHT!

Our Loom Today

…or, at least begin to put it together and see what we have.

It’s very apparent that a complete loom is pretty incomplete.  Lots of small parts, tools, etc. are going to be needed.  The good news is that they are all made of wood and can be manufactured at the school.

I may take an hour or two over the next few days and put a few pieces together.

Our Loom When Last Assembled

There is a INDIEana handicraft Exchange Mini show this Friday evening.  (Details are supplied below.)

My only worry at shows is that all of my merchandise is too expensive for the impulse buyer.  I’m an impulse buyer at thes events and would not shell out the $60 – $300 my items demand.

I’ve toyed with producing a line of flatties since I began preparing for shows.  In the decoy carving tradition (Not what I do, but it’s a great tradition.) my typical bird would be called a “smoothy” as it has no carved feathers or detail.  Two dimesional decoys, painted on a flat board, are called “flatties”.  As flatties could double as ornaments I decided to move ahead with developing these.

It wasn’t too hard.  I simply cut out my patterns on thin cherry (most from my mom’s yard and scraps and waste from ukulele building) and finished them just like the smoothies.

I’ve created the following birds: Carolina Chickadee, Dark eyed Junco, Red Winged Blackbird, Belted Kingfisher, House Wrens, White Breasted Nuthatch, American Goldfinch, Baltimore Oriole, Northern Cardinal and, of course, common crow.

Materials are Indiana cherry, steel, waxed hemp.

I’m not sure of pricing yet, but they will run $10 – $15 with a discount for purchasing more than one.  As with the smoothies, they just look better in multiples.

I’m also working on a large piece.  Large pieces are fun.  They’re slow to sell, but when they do it’s a real thrill.

I came across an old glass dome at the local antique mall.  I’m very interested in Kipp Normand’s arrangements in cases and under glass and decided to develop one of my own.

In my mind many of my carvings are reminiscent of old museums, community nature clubs and curio

House Wrens Under Glass - In Progress

cabinet.  The only difference is that my birds are carved and not stuffed.

I arranged a pair of House Wrens on a twisted honeysuckle twig within this dome.  Tastefully arranged are bits of acorn shells, moss and twigs.  The base of the cabinet is Indiana cherry and the drawer has a beautiful sycamore bottom.  I think that I’ve pulled off the effect rather well.  If time allows (I’ve two more evenings to prepare for this show.) I’ll construct a carrying case so no one has to worry about getting the thing home.

I’ve plans to build another on an ornate base.  Again, groupings look great!

I’m not sure how this piece will be priced.  That’ll take a bit of cyph’rin’.

Please stop and visit on Friday.  My partner in crime, Emily VAnce. (The “A” is intentional) will be sharing the table with her wonderful cards.  As she becomes more confident her work just gets better!

My youngest, Phoebe, will be performing her own special fol set with the duo “Pholly”.  Pholly has been tearing it up this year with appearances at INDIEana Handicraft Exchange events, the NUVO Fringe Fest Tent and The Louisville Jugband Jubilee.  They are to be featured (in a short piece) in Indianapolis Monthly in the next month, or two.

More information about Friday’s Event from the INDIEana Handicraft Exchange website

The INDIEana Handicraft Exchange will finish out the year with one last “mini” event on Friday, December 4.

The Mass Ave Merchants Association has invited the IHE to participate in their annual First Friday Holiday Hoopla. In conjunction with the gallery openings, sales, parties and other events on Mass Ave, the IHE will have 46 vendors, live music and raffles at the Chatham Center, located just three blocks off of Mass Ave, at the corner of 9th and East.

The way from Mass Ave to the Chatham Center will be lit by the beautiful King’s Park white rainbarrel luminaries. Folks can make the quick walk over from Mass Ave to our building, or they can catch the shuttle, which will be running at no charge that evening for the Holiday Hoopla, and be dropped off directly in front of the Chatham Center. There is also plenty of street parking around the building, should patrons want to drive directly there.

The event will run from 5 p.m. to 9 p.m. and is FREE and open to all ages. This is a great chance to finish holiday shopping early, and to make sure you get unique, high-quality, handmade gifts. You’ll purchase directly from the artist and will be able to ask questions about the materials and methods used in their creation. Many artists also accept custom orders, so don’t hesitate to inquire if you don’t see exactly what you are looking for.

Bundle up and bring the whole family. We will provide a warm and welcoming atmosphere. Hope to see you there!

(Note: The Chatham Center is also this year’s location for the Indy Winter Farmers Market. November 14th through April 24th. Saturdays, 9 a.m. to 12:30 p.m.)

Coperthwaite Revisited

Wm. Coperthwaite gets it.  He understands education.  He understands life.  He explains it simply in A Handmade Life.  I suggested the book before and will again.  Read it.  You’ll be glad that you did.

Coperthwaite on Education

Another blogger ponders Coperthwaite

I’ve talked with other artists and explored online sales opportunities and have returned to Esty.  I’ve revamped my approach – new photos, new banners, new bio – and we’ll see how it does.  I’ve another face-to-face sale in two weeks and then nothing scheduled until June.  It’ll be Etsy or nothing.

50 Little Birds for Blue Stone Folk School

Weaving a Story

Yesterday morning the Folk School took delivery of an old counter balance floor loom.  It served, until recently, at a living history museum in nearby Fishers.  (Can you guess which one?)

This piece will be the centerpiece of our new library.  We plan to keep it warped for demonstration and practice weaving.   It will be a nice addition to our studio and we’re thrilled that we had enough room to accept the gift.

If you have knowledge about using this loom or are interested in learning, please let me know.

‘nuf Sed

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